10 Aralık 2023 Sunum Açık Erişim

Mehtap Özsoy

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    "description": "<p>Bu &ccedil;al\u0131\u015fmada Zonguldak&rsquo;\u0131n Ere\u011fli il&ccedil;esindeki Ere\u011fli K&ouml;m&uuml;r \u0130\u015fletmeleri&rsquo;ne ba\u011fl\u0131 sinema salonlar\u0131 Henri Lefebvre&rsquo;nin mek&acirc;na ili\u015fkin g&ouml;r&uuml;\u015fleriyle birlikte tart\u0131\u015f\u0131lacakt\u0131r.</p>\n\n<p>&nbsp;</p>\n\n<p>Mek&acirc;n\u0131n toplumsal bir &uuml;r&uuml;n oldu\u011fu d&uuml;\u015f&uuml;ncesinden hareketle Lefebvre, modernitede mek&acirc;n &uuml;retimini ve modern &ouml;zneyi m&uuml;mk&uuml;n k\u0131lan kentleri merkeze al\u0131r. Lefebvre&rsquo;de mek&acirc;n, siyasi, ekonomik ve toplumsal s&uuml;re&ccedil;lerle \u015fekillenir, ayn\u0131 zamanda bu s&uuml;re&ccedil;leri etkiler. Mek&acirc;n\u0131 d&uuml;\u015f&uuml;nmenin, analizin ve tart\u0131\u015fman\u0131n merkezine yerle\u015ftirerek &ldquo;mek&acirc;n\u0131n bilimi&rdquo;ni ortaya koymaya &ccedil;al\u0131\u015fan Lefebvre birbiriyle ili\u015fkili, her birinin varl\u0131\u011f\u0131 &ouml;tekini m&uuml;mk&uuml;n k\u0131lan &uuml;&ccedil; farkl\u0131 bi&ccedil;imde katmanla\u015fm\u0131\u015f, farkl\u0131 momentlerle s&uuml;rekli de\u011fi\u015fen, ak\u0131\u015f halinde olan, birbirini i&ccedil;erimleyen, kimi zaman birbiriyle &ccedil;ak\u0131\u015fan &uuml;&ccedil; cepheli bir mek&acirc;n anlay\u0131\u015f\u0131 ortaya koyar. Bunlar; g&uuml;ndelik pratiklerin ger&ccedil;ekle\u015fti\u011fi &ldquo;alg\u0131lanan mek&acirc;n-mek&acirc;nsal pratikler&rdquo;; modern devlet rasyonalitesi, normlar\u0131 ile kurgulanan &ldquo;mek&acirc;n temsili-tasarlanan mek&acirc;n-&rdquo;; s\u0131n\u0131rlar\u0131n kimi zaman belirsizle\u015fti\u011fi, d&uuml;\u015fsel olanla ger&ccedil;ek olan\u0131n bir aradal\u0131\u011f\u0131n\u0131 bar\u0131nd\u0131ran &ldquo;temsil mek&acirc;n\u0131&rdquo;d\u0131r.</p>\n\n<p>&nbsp;</p>\n\n<p>&Ccedil;al\u0131\u015fmada, ara\u015ft\u0131rman\u0131n konusu olan sinema salonlar\u0131n\u0131n bu &uuml;&ccedil; cepheli mek&acirc;n anlay\u0131\u015f\u0131n\u0131n neresinde oldu\u011fu tart\u0131\u015f\u0131lacakt\u0131r. T&uuml;rkiye&rsquo;de modern devletin bir kav\u015fa\u011f\u0131 olarak nitelendirilebilece\u011fimiz sosyal devlet anlay\u0131\u015f\u0131 ile &uuml;retilen Ere\u011fli K&ouml;m&uuml;r \u0130\u015fletmeleri&rsquo;nin b&uuml;nyesinde yer alan sinema salonlar\u0131na dair tart\u0131\u015fma, Lefebvre&rsquo;nin mek&acirc;n anlay\u0131\u015f\u0131ndan hareketle salonlardaki farkl\u0131 momentleri deneyimleyen ki\u015filerle yap\u0131lan s&ouml;zl&uuml; tarih g&ouml;r&uuml;\u015fmeleri, ar\u015fiv ve yerel kaynaklar do\u011frultusunda, salonlar\u0131n &uuml;retimindeki ve tasar\u0131m\u0131ndaki s&uuml;recin &ldquo;devlet&rdquo; rasyonalitesi, salonlar\u0131n kapitalist &uuml;retim, birikim ve t&uuml;ketim ile ili\u015fkisi, g&uuml;n&uuml;m&uuml;zde &ccedil;o\u011fu y\u0131k\u0131lm\u0131\u015f ya da y\u0131k\u0131lmak &uuml;zere olan bu sinema salonlar\u0131n\u0131n g&uuml;n&uuml;m&uuml;zdeki durumu &ldquo;mevcut iktidar uygulamalar\u0131&rdquo; g&ouml;z &ouml;n&uuml;ne al\u0131narak y&uuml;r&uuml;t&uuml;lecektir.</p>", 
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