Tez Açık Erişim
{ "@context": "https://schema.org/", "@id": 228082, "@type": "ScholarlyArticle", "creator": [ { "@id": "https://orcid.org/0000-0003-4880-7949", "@type": "Person", "affiliation": "Yeditepe \u00dcniversitesi", "name": "Y\u0131lmaz, Hasan Ramazan" } ], "datePublished": "2011-07-17", "description": "<p><strong>ÖZET</strong></p>\n\n<p> </p>\n\n<p>Sinemay\u0131 varolu\u015fu itibariyle bir sanat olarak s\u0131n\u0131fland\u0131ran, özel tarihsel ba\u011flamlar\u0131 içindeyse bir “toplumsal sanat” olarak de\u011ferlendiren iki sinema ak\u0131m\u0131; \u0130talyan Yeni Gerçekçili\u011fi ve Toplumsal Gerçekçi T\u00fcrk Sinemas\u0131 ele al\u0131narak, ak\u0131mlar\u0131n sinema gör\u00fcnt\u00fcs\u00fcn\u00fcn göstergebilimsel s\u0131n\u0131fland\u0131rmalar\u0131ndan “belirtisel gösterge” fonksiyonuyla paralel olan yap\u0131lar\u0131 incelenmi\u015ftir. Sanatta gerçekçilik, sinema teorisinde gerçekçilik ve biçimcilik tart\u0131\u015fmalar\u0131n\u0131n de\u011ferlendirildi\u011fi çal\u0131\u015fmada, “ulusal” sinemalar olarak \u0130talyan ve T\u00fcrk sinemalar\u0131n\u0131n geli\u015fim s\u00fcreçleri incelenerek ak\u0131mlar\u0131n olu\u015fumlar\u0131na etkileri tespit edilmek istenmi\u015ftir. \u0130ki ak\u0131m\u0131n içerik, film dili ve esteti\u011fi ba\u011flam\u0131ndaki niteliklerinin, “gerçe\u011fin ortaya ç\u0131kar\u0131lmas\u0131” yön\u00fcndeki sinematografik yakla\u015f\u0131m\u0131 merkeze alma çabalar\u0131yla olan uyumlar\u0131 önemli tespitler aras\u0131ndad\u0131r. Çal\u0131\u015fma, özellikle Yeni Gerçekçilik’te kendini gösteren, anaak\u0131m klasik-gerçekçi film dilinden ayr\u0131\u015farak içerik ve film dili ba\u011flam\u0131nda kurulan özg\u00fcn yap\u0131n\u0131n, sinema gör\u00fcnt\u00fcs\u00fcn\u00fcn belirtisel gösterge fonksiyonu do\u011frultusunda ortaya ç\u0131k\u0131\u015f\u0131na yo\u011funla\u015fmaktad\u0131r.</p>\n\n<p> </p>\n\n<p><strong>Anahtar Kelimeler:</strong> Yeni Gerçekçilik, Toplumsal Gerçekçilik, Belirtisel Gösterge, Sinema, Sanat</p>\n\n<p> </p>\n\n<p><strong>ABSTRACT</strong></p>\n\n<p> </p>\n\n<p>This study investigates two cinema movements which categorize cinema existentially as an art and in consideration of special historical concept as a social art. Italian Neo-realism’s and Social Realist Turkish cinema’s parallel structure with “index sign” function of semiotic categorization of cinematic image was discussed. Realism in art, realism and formalism in film theories has been evaluated. As national cinemas, Italian and Turkish cinemas’ effects in the being processes of movements has been detected. The accordance between cinematographic approach of “discovering reality” and the characters of content, film language and aesthetic in two movements are signed one of the important detections. The study focuses two major cases, one of them is the original structure that especially shows itself in Neo-realism and was build in context of cinematic content, film language and the second one is the “index sign” function of cinematic image which is in the being processes of this original structure.</p>\n\n<p> </p>\n\n<p><strong>Keyword:</strong> Neo Realism, Social Realism, Index Sign, Cinema, Art</p>", "headline": "Yeni Ger\u00e7ek\u00e7ilik ve T\u00fcrk Sinemas\u0131nda Ger\u00e7ek\u00e7ilik", "identifier": 228082, "image": "https://aperta.ulakbim.gov.tr/static/img/logo/aperta_logo_with_icon.svg", "keywords": [ "Yeni Ger\u00e7ek\u00e7ilik", "Toplumsal Ger\u00e7ek\u00e7ilik", "Belirtisel G\u00f6sterge", "Sinema", "Sanat" ], "license": "http://www.opendefinition.org/licenses/cc-by-sa", "name": "Yeni Ger\u00e7ek\u00e7ilik ve T\u00fcrk Sinemas\u0131nda Ger\u00e7ek\u00e7ilik", "url": "https://aperta.ulakbim.gov.tr/record/228082" }
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